Read the Reviews!

St. John's Telegram, Friday July 27, 2012

Will and Renee

By: Will Cyr 

      Film Editor

What struck me most about Jean-Claude as I was cutting the documentary was his tenacity. When he sets out to fulfill Picasso’s idea of one not being a true artist until one has painted 10 000 tableaux, you can’t help but admire his devotion.

I found the undertaking that Jean-Claude and Christina took-on astonishing. Even though he is not a Newfoundland native, we can sense Jean-Claude’s great love of the region; for anybody who choses to invest such time and care to sharing and immortalizing this community’s history must have a great devotion to it. 

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By: Renée de Sousa

      Production Assistant and Translator

Francophone communities living outside of Quebec often live isolated from one another. We are often ignorant of the history and culture of other province’s francophone communities. I found it fascinating to follow the path of a people, and understand how specific events drastically changed the fabric of Newfoundland.  

Working on this documentary made me curious to learn about other Canadian francophone communities. It is so interesting to see how francophone minorities throughout the country have managed to survive and thrive after hundreds of years.

We may be scattered throughout the country, but we are united by language. Our specific stories differ, but we share similar experiences and have faced familiar challenges. To understand and appreciate that can only make us stronger. 

The Making of: Phantoms of the French Shore

Fabric used to stitch the tapestry.

The stitching begins.

Embroiders get to work.

Cinematographer Mark Ellam and Sound Recordist Scott Yates at work in Conche Newfoundland.

Director Barbara Doran and Cinematographer Mark Ellam and Scott Yates in Conche Newfoundland.

French Naval officers honour their country's former sailors in Conche Newfoundland

The long work finally comes to life.

Artist Jean-Claude celebrates the launch of the tapestry in St. John's Newfoundland.

Christina Roy

A Story within Stories

By Terence Mbulaheni

 

Phantoms of the French Shores is a documentary that contains many stories within a single narrative. This multilayered epic creates a mosaic guaranteed to entertain.   It depicts historical events, celebrates communities, and retells a 400 year history of conquest and culture. Symbolic meanings are weaved into the film and tapestry alike, creating parallel relationships between historical characters depicted in the artwork, the embroiders and the artist. The stories below are just two of those woven into the tapestry and the film.

STORY 1: The French Shore: the portrayal of a long history of British and French negotiations that resulted in France giving up its fishing rights on the French Shore of Newfoundland. This was a subject that appeared to Jean-Claude Roy as a card game in which the colonies and fishing rights were merely poker chips, and the players were only interested in what they could gain for themselves.   

Inspired by the French impressionist artist Cezanne, Roy puts the diplomats at a card table, and shows both their apparent correctness and their dishonesty - one man pockets a card, while another lets the French Shore drop carelessly to the floor.

STORY 2: A story of parachutes: WW2 airmen crash in front of the school in Conche in 1942, frightening some of the children who think the airmen are Germans. The smaller image, taken from the border of the Tapestry, shows an event that occurred during the winter of 1943. Ranger John Hogan, a member of the Newfoundland Ranger Force, parachutes along with another man from their Royal Canadian Air Force plane. Hogan was unharmed, while his colleague was unable to walk. 

For 53 freezing winter days, Hogan cared for his injured colleague, providing food by trapping rabbits and gathering berries beneath the snow, until they were rescued. The larger story here is World War II: the device of the parachute is used to tell how the war was brought home to the people of the French Shore.

 

It was an Amazing Experience

 

 By: Terence Mbulaheni

Joan Simmonds is the Director of the French Shore Historical Society in Conche Newfoundland and the Project Director for the French Shore Tapestry Project. She’s very active in Conche, beginning  her career as a catalyst in the community volunteering at age 13, selling tickets for the local parish committee. 

As Director of the Tapestry Project, she raised the funds necessary for the embroidery work to be carried out. Working tirelessly, she managed a team of more than a dozen people through out the three-year project, supervising the hiring and training of a dozen artistic embroiders from 
 the community, as well as arranging the space for the work to be carried out.  

Joan and embroiders

Joan says, "Any community has to depend on volunteers. You have to take care of your environment and it will take care of you".   The Newfoundland government recently honoured Joan as one of volunteers in the province who contribute over 35 million hours a year of valuable unpaid time to their communities and local organizations.

French Shore Historical Society

French Shore Historical Society Facebook Page 
Meet one of the embroiders who worked with Joan 
 

Embroiders

Genesis

By: Terence Mbulaheni

“…I grabbed the Bible, opened up Genesis, and I said go…”, said Christina Roy when asked how she began  to imagine  a work of this magnitude. Her key roles in the Tapestry Project included researching the story, collaborating with the embroiders in Newfoundland, selecting the colours to match her husband, Jean-Claude’s drawings, taking photos of the nearly endless drawings that made up the 70 metre tapestry, and e-mailing them with instructions to the embroiderers. The hardworking and creative embroiders would then project all the pictures onto a linen, trace the scenes and get down to bringing all the historical stories to life.

Christina Roy & Jean-Claude Roy

Christina is a doctor by training, with a longstanding interest in embroidery.  She and her husband Jean-Claude Roy came up with the idea of designing an embroidered tapestry showing the history of Newfoundland after visiting the Bayeux Museum in France. She collaborated with the French Shore Historical Society to adapt the concept to tell the story of Newfoundland’s historic French Shore.

Please see:http://bit.ly/KRzGUL

Inspiration

by: Terence Mbulaheni

Barbara Doran is an award-winning, filmmaker who lives in St. John's Newfoundland. She has produced and directed innovative films and television shows for almost three decades. Her critically acclaimed documentary films and dramas have been broadcast throughout Canada and internationally. Her interest in history, culture, and the human condition continues to create groundbreaking work.  This includes: Voices of Change, a film about sweatshops in Guatemala, serial killers on death row in The Man Who Studies Murder to AIDS, and now the history of the French in Newfoundland. 

Director: Barbara Doran & Camera operator: Mark Ellam

 Barbara is a highly regarded and respected film producer who is also well known for the  memorable television mini-series Random Passage, and the recent feature film, Love & Savagery. She is actively involved in the Canadian film community, and is an active member of various Canadian film associations.